Contrast. Texture. Flow.

These are the main building blocks I think about, when drawing a tattoo design, and later on when bringing it to your skin.

Contrast

This has nothing to do with skin tone, the contrasts I’m interested in are the contrast between thicker and thinner lines, between dark aesthetics and light subjects, between blacked out areas and open skin.
I think it’s all about balance, and I love how these contradictions come together and at the same time enhance and soften each other out.

Texture

The reason I love tattooing with texture, is because that’s what feels the most natural to me. Our skin is textured, and therefore it makes sense to me, when adding onto it, that the tattoo be textured as well. It feels like a natural part of your skin.
When they age, our tattoos feather out slightly, the lines become more uneven. But when texture is part of the artwork to begin with, these changes only enhance what is already there.

Flow

Placement is just as important as the design of the tattoo itself. It can absolutely make or break a tattoo. Tattoos should always be placed with regard to your body’s natural movement. In general, you would choose to follow its natural flow, and enhance its lines.
Some people may choose to purposefully go against these lines to play with movement and shape, but all that should be intentional. The visual effect of a placement can not be overstated.

A person's head with a large black tattoo of olive branches with little skulls and several black cross ornaments. Engraving or woodcut style.
Close-up of a tattooed forearm with a black snake tattoo morphing into a chain on a person's arm, with a dark brown shirt in the background. Engraving or woodcut style.
A black ink floral tattoo on a person's knee with detailed flowers and leaves. Engraving or woodcut style.
A tattoo of three hands, each respectively holding a bobbin of thread, the thread and a pair of scissors. Representing the red string of life from greek mythology. In the engraving style.
Close-up of a person's arm with a black tattoo of a cow girl with long hair riding a wild horse. In the engraving style.
Close-up of a tattoo on person's skin, depicting a little cherub riding on the back of a fish. Engraving or woodcut style.
A tattoo on a person's leg of a detailed black line drawing of some blooming olive branch leaves in an ancient Greek vase. Engraving or woodcut style.
Tattoo of a blooming rose with detailed petals and leaves on a person's calf. Engraving or woodcut style.
Close-up of a person's upper arm / shoulder with a black tattoo of a blooming olive branch with flowers. Engraving or woodcut style.
Tattoo of a woman with flowing hair or a cow girl riding a horse, holding a cowboy hat, on a person's leg, on the shin. Engraving or woodcut style.
Black tattoo of a little cherub riding on the back of a shrimp through the ocean. Engraving or woodcut style.
Tattoo of a large ancient greek vase with figures inside, on a person's thigh. In Blackwork or woodcut style.
Black line tattoo of a snake wrapping around a pair of scissors on a person's calf.
Black line tattoo of a heart held by a hand, on a person's upper arm. Engraving or woodcut style.
Tattoo of a rose being cut by a pair of scissors on a person's thigh. Engraving or woodcut style.
A tattoo of a scorpion on a person's leg. Engraving or woodcut style.
Close-up of a person's arm with a black tattoo of a hand with a weeping eye in the middle. In woodcut or engraving style.
Tattoo of a sacred heart with an eye inside, and flames emerging from the top of the heart, on a person's arm.